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Slovene National Theatre in Ljubljana
Pavlíček, Tomáš ; Bajger, Oldřich (referee) ; Knesl, Jiří (advisor)
Slovene national theatre in the centre of Ljubljana as a part of existing city block. The composition of buildings creates new urban areas as a continuation of the urban axis of Josip Plečnik. The basic principle was to resolve the issues of entry into building, the definition and organization of space inner block, the creation and cultivation of new and existing urban areas. Unifying element of the whole composition is solution to the facade, which paraphrases the high order, typical for the surrounding buildings and significant not only for cultural buildings. As a contrast to massive and heavy mass of facade stand glass facade which makes lighter impression. White facade adds significance to the composition.
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Transformatıon of Pera into Cultural District of Istanbul in the second half of the 19th Century
Bayram, Muhammet Sami ; Klusáková, Luďa (advisor) ; Martykánová, Darina (referee) ; Heltai, Gyöngyi (referee)
The second half of the 19th Century was a remarkable period in the history of the transformation of Istanbul's Pera district, which can also be detected in the history of its western type theatre buildings, passages, cultural activities, district regulations, planning and establishment of other public and private spaces. The scope of the study will focus on the period between the announcement of the Edict of Gulhane (1839) till Second Constitutional Era (1908). I have chosen the Pera district, also known as Beyoğlu/Taksim for this case study, because it had quite specific functions in the city. It had hosted various ethnical groups throughout its long history, which was also the case in the middle of the 19th century, and the cultural harmony influenced the district's social life. I intend to test this hypothesis by applying Charles Landry's creativity city concept with Pera's cultural district at the end of the thesis. I will apply the aforementioned concepts and examine the remarkable modern type constructions of the district and their history. I will show that gradual growth of the amount and intensity of interactions between the West and the Ottoman Society created a cultural infrastructure, which in turn created a cosmopolitan area in Pera. Social and daily life started to change with the...
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Transformatıon of Pera into Cultural District of Istanbul in the second half of the 19th Century
Bayram, Muhammet Sami ; Klusáková, Luďa (advisor) ; Martykánová, Darina (referee) ; Heltai, Gyöngyi (referee)
The second half of the 19th Century was a remarkable period in the history of the transformation of Istanbul's Pera district, which can also be detected in the history of its western type theatre buildings, passages, cultural activities, district regulations, planning and establishment of other public and private spaces. The scope of the study will focus on the period between the announcement of the Edict of Gulhane (1839) till Second Constitutional Era (1908). I have chosen the Pera district, also known as Beyoğlu/Taksim for this case study, because it had quite specific functions in the city. It had hosted various ethnical groups throughout its long history, which was also the case in the middle of the 19th century, and the cultural harmony influenced the district's social life. I intend to test this hypothesis by applying Charles Landry's creativity city concept with Pera's cultural district at the end of the thesis. I will apply the aforementioned concepts and examine the remarkable modern type constructions of the district and their history. I will show that gradual growth of the amount and intensity of interactions between the West and the Ottoman Society created a cultural infrastructure, which in turn created a cosmopolitan area in Pera. Social and daily life started to change with the...
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Transformatıon of Pera into Cultural District of Istanbul in the second half of the 19th Century
Bayram, Muhammet Sami ; Klusáková, Luďa (advisor) ; Martykánová, Darina (referee) ; Heltai, Gyöngyi (referee)
The second half of the 19th Century was a remarkable period in the history of the transformation of Istanbul's Pera district, which can also be detected in the history of its western type theatre buildings, passages, cultural activities, district regulations, planning and establishment of other public and private spaces. The scope of the study will focus on the period between the announcement of the Edict of Gulhane (1839) till Second Constitutional Era (1908). I have chosen the Pera district, also known as Beyoğlu/Taksim for this case study, because it had quite specific functions in the city. It had hosted various ethnical groups throughout its long history, which was also the case in the middle of the 19th century, and the cultural harmony influenced the district's social life. I intend to test this hypothesis by applying Charles Landry's creativity city concept with Pera's cultural district at the end of the thesis. I will apply the aforementioned concepts and examine the remarkable modern type constructions of the district and their history. I will show that gradual growth of the amount and intensity of interactions between the West and the Ottoman Society created a cultural infrastructure, which in turn created a cosmopolitan area in Pera. Social and daily life started to change with the...
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Jindřich Freiwald and Czech Interwar Theatre Architecture
Jankulíková, Alžběta ; Biegel, Richard (advisor) ; Macek, Petr (referee)
(in English) The subject of the present thesis is a complex of realizations and projects of Czech architect Jindřich Freiwald (1890-1945) in the field of theatre architecture and its putting into context of Czech interwar theatre architecture. The initial part outlines theatre building as a specific architectonic problem and shows the important moments of its evolution. The subsequent chapter focuses on the situation of Czech theatre architecture between the World Wars and presents briefly the constituent realizations of individual theatre buildings with their promoters, interior organization and outer form. The next part of the thesis deals with the personality of Jindřich Freiwald, his works and production of the Freiwald & Böhm studio. Subsequently, the crucial part of this thesis presents executed theatre buildings by Jindřich Freiwald - Jirásek Theatre in Hronov, Karel Pippich Theatre in Chrudim, Municipal Theatre in Kolín, item project of the Jiřík Theatre in Poděbrady, placing of the Theatre Na kovárně in Poděbrady, project of reconstruction of the Dusík Theatre in Čáslav and project of theatre in Čelákovice . The study of theatre in Malé Svatoňovice and Freiwald's part in completion of the Public Theatre in Tehran are also mentioned. Key words: Jindřich Freiwald, Jaroslav Böhm, Hronov,...
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Slovene National Theatre in Ljubljana
Pavlíček, Tomáš ; Bajger, Oldřich (referee) ; Knesl, Jiří (advisor)
Slovene national theatre in the centre of Ljubljana as a part of existing city block. The composition of buildings creates new urban areas as a continuation of the urban axis of Josip Plečnik. The basic principle was to resolve the issues of entry into building, the definition and organization of space inner block, the creation and cultivation of new and existing urban areas. Unifying element of the whole composition is solution to the facade, which paraphrases the high order, typical for the surrounding buildings and significant not only for cultural buildings. As a contrast to massive and heavy mass of facade stand glass facade which makes lighter impression. White facade adds significance to the composition.
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